[13]Fernand Braudel, The Mediterranean and the Mediterranean World in the Age of Philip II, First Volume ( London, University of California Press,1995),85-89.
[14]J. Eric Cooper and Michael Decker, Life and Society in Byzantine Cappadocia (London: Palgrave Macmillan, 2012),95.
[15]Timothy Miller, “Constantine IX: Typikon of Emperor Constantine IX Monomachos.” in Byzantine Monastic Foundation Documents: A Complete Translation of the Surviving Founders’ Typika and Testaments,
ed. John Thomas and Angela Constantinides Hero(Washington, D.C: Dumbarton Oaks Research Library and Collection),286.
[16] Peter Tonemann, The Meander Valley: A Historical Geography from Antiquity to Byzantium (Cambridge: Cambridge University Press,2001) ,185-186.
[17] J.Eric Cooper and Michael J. Decker, Life and Society in Byzantine Cappadocia (London: Palgrave Macmillan,2012),95.
[18] Nickiphoros I. Tsougarakis and Peter Lock, A Companion to Latin Greece ( Leiden: Brill Academic Pub,2014),198.
[19] Marcus Rautman, Daily Life in the Byzantine Empire ( London: Greenwood Press,2006), 192.
[20] Timothy Dawson, Property, Practicality and Pleasure: the Parameters of Women’s Dress in Bzyantium, A.D. 1000-1200,” in Byzantine Women: Varieties of Experience 800-1200, ed. Lynda Garland (Hampshire : Ashgate Publishing Company,2006),53.
[21] Maureen Fennell Mazzaoui , The Italian Cotton Industry in the Later Middle Ages, 1100-1600 (Cambridge: Cambridge University Press,1981),172.
[22]Marcus Rautman, Daily Life in the Byzantine Empire( London: Greenwood Press,2006), 107.
[23] Alexander Musin ,Russian Medieval Culture as an Area of Preservation of Byzantine Civilization ,in T owards rewriting? : new approaches to Byzantine archaeology and art : proceedings of the symposium on Byzantine art and archaeology, Cracow, September 8-10, 2008,ed
Piotr L Grotowski; Sławomir Skrzyniarz(Warsaw : The Polish Society of Oriental Art, Cardinal Stefan Wyszyński, Jagiellonian University, the Pontifical University of John Paul II in Cracow, 2010),30.
[24] Maria G.Parani, Reconstructing the Reality of Images: Byzantine Material Culture and Religious Iconography 11th -15th Centuries( Leiden:Brill,2003),167.
[25]Ibid., 179.
[26] Mary Margaret Fulghum, “Under Wraps: Byzantine Textiles as Major and Minor Arts,” Studies in Decorative Arts 9.1(2001):14.
[27] Ibid., 21.
[28]Maria G.Parani, Reconstructing the Reality of Images: Byzantine Material Culture and Religious Iconography 11th -15th Centuries ( Leiden:Brill,2003),179.
[29] Lisa Monnas , Merchants, Princes and Painters: Silk Fabrics in Italian and Northern Paintings, 1300-1550(London: Yale University Press,2008),297.
[30]Gülgün Köroğlu,“Bizans’ın Esvabı”, P Dünya Sanatı Dergisi 44(2007):74.
[31]Helen C. Evans and Brandie Ratliff, Byzantium and Islam: Age of Transition, 7th-9th Century (New York: Metropolitan Museum of Art ; New Haven [Conn.] : Distributed by Yale University Press, 2012),172